Ashland Review

Jenny Graham / Oregon Shakespeare Festival

Shakespeare’s “Othello,” now playing in a well nuanced production at the Oregon Shakespeare Festival, is always painful to watch. The Moor is a brilliant admiral who succeeds in protecting Venice from the Ottomans. But, like the hero of a Greek tragedy, his fatal flaw, being born black, guarantees his downfall.

Jenny Graham / Oregon Shakespeare Festival

“Oh for a muse of fire.” Reminiscent of Homer’s Iliad, so begins “Henry V” at the Oregon Shakespeare Festival. As directed by Rosa Joshi, this compelling and inventively stylized production is a fine example of ensemble work.

Jenny Graham / Oregon Shakespeare Festival

Hola, mis amigos! I just saw a play by Karen Zacarias at the Oregon Shakespeare Festival called “Destiny of Desire,” and it’s more fun than a Mexican telenovela. Well, it is a telenovela, a Latin-style soap opera, but it’s in English, with added soundbites about dating and other vital social issues.

Photo by Jenny Graham

Dorothy Velasco reviews the Oregon Shakespeare Festival's production of Off the Rails, the first play by a Native American to be performed at OSF.

This is KLCC. I’m Dorothy Velasco with the Ashland Theater Review.

“Off the Rails,” the first play by a Native American to be performed at the Oregon Shakespeare Festival, is a mishmash — part comedy, part musical, part history lesson, and part morality tale loosely based on Shakespeare’s “Measure for Measure.”

Dorothy Velasco reviews the Oregon Shakespeare Festival's production of The Merry Wives of Windsor.

Dorothy Velasco reviews Oregon Shakespeare Festival's production of Hannah and the Dread Gazebo, the first play by Jiehae Park.

Dorothy Velasco reviews Oregon Shakespeare Festival's production of UniSon, a musical based on the poetry of August Wilson.

Dorothy Velasco reviews the Oregon Shakespeare Festival's production of The Odyssey, adapted for the stage by Mary Zimmerman.

Photo by Jenny Graham

Guilt, anger, revenge. Riotous hilarity, mortal enemies, Falstaff bigger than life, Prince Hal in a hoody. Yes, it’s “Henry IV, Part One” at the Oregon Shakespeare Festival’s intimate Thomas Theatre, to be followed in the summer by “Part Two.”

As directed by Lileana Blain-Cruz, Shakespeare’s great history play, peppered with surprises, is staged in the round and set in modern times. We can almost reach out and touch the actors, and the actors certainly touch us with their electrifying emotions.

Jenny Graham / Oregon Shakespeare Festival

President Trump is weighing deep cuts in his budget plan, including all funding for the National Endowment for the Arts (NEA).  A major theater group in Oregon fears that could affect children’s access to one of history’s greatest playwrights. KLCC’s Brian Bull reports.

Photo by Jenny Graham

In “Mojada, A Medea in Los Angeles,” playwright Luis Alfaro manages an impressive feat, melding a Greek tragedy with a heartbreaking story of Mexican immigrants.

Now playing at the Oregon Shakespeare Festival, with sensitive direction by Juliette Carrillo, this play follows the life of Medea, a young indigenous woman from Michoacán now residing in Los Angeles with her beloved Jason, pronounced Ha-sohn, their son Acan, and Tita, an old family friend. All are mojados, wetbacks, illegal.

Photo by Jenny Graham

When I studied Shakespeare’s “Julius Caesar” in high school it seemed like ancient history having nothing to do with me. Well, now it’s ancient history that relates perfectly to our times.

  Dorothy Velasco reviews the Oregon Shakespeare Festival's Timon of Athens and the controversial Play On! Project, which aims to translate Shakespeare into modern language. 

Ashland Review: Richard II and the Winter's Tale

Aug 16, 2016

  Dorothy Velasco reviews the Oregon Shakespeare Festival's productions of Richard II and The Winter's Tale.

photo: Jennie Graham

“The Wiz,” a surprise Broadway hit over 40 years ago, has now landed on the outdoor stage at Ashland’s Allen Theatre. This funky black version of “The Wizard of Oz” won a Tony for best musical, but “Hamilton” it’s not.

photo: Jennie Graham

“Vietgone,” now playing at the Oregon Shakespeare Festival, is a lively new comedy about Vietnamese refugees creating their version of an American life from scratch.

Ashland Review: Roe

Jul 12, 2016
Photo: Jennie Graham

Lisa Loomer’s new play, “Roe,” about the Supreme Court ruling of Roe v. Wade which legalized abortion in 1973, may well be this year’s most important American play. 

photo: Jennie Graham

Many people consider Shakespeare’s “Hamlet” the greatest play ever written. They must be right because a full house sat through the play’s rainy opening night at Oregon Shakespeare Festival’s outdoor Allen Theatre.

photo Jenny Graham

Dorothy Velasco has this review of "The Yeomen of the Guard" at the Oregon Shakespeare Festival in Ashland.

photo Jenny Graham

“Great Expectations” by Charles Dickens is a grand novel. And it grandly fills the stage of the Bowmer Theatre at the Oregon Shakespeare Festival.

photo Jenny Graham

Shakespeare’s much loved comedy, “Twelfth Night,” is a joyful choice for the new season at the Oregon Shakespeare Festival.
According to director Christopher Liam Moore, joyful is the operating word for the play. It begins with a shipwreck and the presumed death of Viola’s brother Sebastian.

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