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Dorothy Velasco reviews Oregon Shakespeare Festival's production of UniSon, a musical based on the poetry of August Wilson. “UniSon,” now playing at the…
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Dorothy Velasco reviews the Oregon Shakespeare Festival's production of The Odyssey, adapted for the stage by Mary Zimmerman.This is KLCC. I’m Dorothy…
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Guilt, anger, revenge. Riotous hilarity, mortal enemies, Falstaff bigger than life, Prince Hal in a hoody. Yes, it’s “Henry IV, Part One” at the Oregon…
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President Trump is weighing deep cuts in his budget plan, including all funding for the National Endowment for the Arts (NEA). A major theater group in…
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In “Mojada, A Medea in Los Angeles,” playwright Luis Alfaro manages an impressive feat, melding a Greek tragedy with a heartbreaking story of Mexican…
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When I studied Shakespeare’s “Julius Caesar” in high school it seemed like ancient history having nothing to do with me. Well, now it’s ancient history…
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Dorothy Velasco reviews the Oregon Shakespeare Festival's Timon of Athens and the controversial Play On! Project, which aims to translate Shakespeare into…
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Dorothy Velasco reviews the Oregon Shakespeare Festival's productions of Richard II and The Winter's Tale. This is KLCC. I’m Dorothy Velasco with the…
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“The Wiz,” a surprise Broadway hit over 40 years ago, has now landed on the outdoor stage at Ashland’s Allen Theatre. This funky black version of “The…
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“Vietgone,” now playing at the Oregon Shakespeare Festival, is a lively new comedy about Vietnamese refugees creating their version of an American life…