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A Visual Feast: Day of the Dead at Maude Kerns Art Center

Alejandra IV Barragán and Palma Corral and Ithea Engum-Corral. “Catrina del teatro,” “Catrina of the Theatre.” Fabric, wire, paper, acrylic, metal, wood.
Alejandra IV Barragán and Palma Corral and Ithea Engum-Corral. “Catrina del teatro,” “Catrina of the Theatre.” Fabric, wire, paper, acrylic, metal, wood.

It’s Spook – Tober! And Maude Kerns Art Center has pulled out all the stops on its annual Day of the Dead celebration.

A colorful example of the many “ofrendas” or altars at the MKAC Day of the Dead Celebration.
Sandy Brown Jensen by permission of the gallery
A colorful example of the many “ofrendas” or altars at the MKAC Day of the Dead Celebration.

There are no fewer than seven elaborate altars to honor individuals who have passed away recently. I didn’t know these people, but that isn’t important. What I enjoy is the way the artists have assembled a colorful collage of the person’s life: pictures, flowers, favorite activities, food, and drink all draped with bright garlands of paper flowers or colorful birds.

Alejandra IV Barragán and Palma Corral and Ithea Engum-Corral. “Catrina del teatro,” “Catrina of the Theatre.” Fabric, wire, paper, acrylic, metal, wood.
Alejandra IV Barragán and Palma Corral and Ithea Engum-Corral. “Catrina del teatro,” “Catrina of the Theatre.” Fabric, wire, paper, acrylic, metal, wood.

Each altar has a quiet undertone of sadness before bursting into a wild visual dance of a cap celebration of life for that individual. I noticed kids love these as well as being drawn to a lively, 15 foot skeleton.

Indio sin Dios, “Emigrar no es un crimen,” “MIgration is not a Crime.” Linocut.
Indio sin Dios, “Emigrar no es un crimen,” “MIgration is not a Crime.” Linocut.

This year‘s exhibition is considerably elevated by amazing work from ten famous Mexican printmakers. These really drew my eyes because firstly, the workmanship is of the very best quality; secondly, the themes are so profoundly Mexican, including the pre-Columbian corn goddess, ritual skeletons, mermaids, rabbits, jaguars, and my favorite of a monarch butterfly, flanked by parents and children titled “Migration is not a Crime.”

Jesus López González and Jean Foss. “El Ladrón del Pan de Muertos,” “The Day of the Dead Bread Thief.” Papier-mâché and acrylic paint.
Jesus López González and Jean Foss. “El Ladrón del Pan de Muertos,” “The Day of the Dead Bread Thief.” Papier-mâché and acrylic paint.

Don’t miss a skeleton puppet with bat wings flying away with an animated loaf of bread.

Take a minute to share a memory of the name of someone whose life you celebrate and add it to a growing Memory Tree.
Take a minute to share a memory of the name of someone whose life you celebrate and add it to a growing Memory Tree.

Take a minute to share a memory of the name of someone whose life you celebrate and add it to a growing Memory Tree.

Ellen Gabehart, “La niña con muñeca,” “The Girl with Doll.” Watercolor, mixed media.
Ellen Gabehart, “La niña con muñeca,” “The Girl with Doll.” Watercolor, mixed media.

Appreciate Ellen Gabehart’s quiet watercolor of a little girl and her doll, both in embroidered Mexican dresses.

The gift shop has a case “decalcophobia,” which is fear of empty wall space because it is wall-to-wall Day of the Dead gift art for sale.
Sandy Brown Jensen
The gift shop has a case “decalcophobia,” which is fear of empty wall space because it is wall-to-wall Day of the Dead gift art for sale.

The gift shop has a case of “decalcophobia,” which is fear of empty wall space because it is wall-to-wall Day of the Dead gift art for sale.

The hard-working folks at Maude Kerns have gone all out on this big show. I hope you’ll honor it with your presence.

Sandy Brown Jensen has an MFA in Poetry and is a retired writing instructor from Lane Community College. She is an artist and a photographer with a lifetime interest in looking at and talking about art. Sandy hosts KLCC's long-running arts review program Viz City.