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  • Julianne Moore plays a seeing woman in a sightless world in Blindness, the film adaptation of Jose Saramago's apocalyptic novel. She describes working with director Fernando Meirelles on the eerie film about an epidemic of "White Sickness."
  • Murals and drawing on streets across Florida are vanishing. Not just the rainbow-painted crosswalks, but also murals honoring police. That's because the state says they're a "safety issue."
  • Her new collection, Stone Mattress, features characters still shaped by events in their youth. She's also working on a project that's all about the future: a book that won't be read for a century.
  • Steve Inskeep talks with NPR Ed's Anya Kamenetz about her book, The Test: Why Our Schools Are Obsessed with Standardized Testing — But You Don't Have to Be.
  • By culling through the culinary offerings of thousands of old menus in the Los Angeles Public Library's collection, we can learn a lot about a city and its history.
  • The U.S. says enough progress has been made in talks with Iran to warrant an extension of Tuesday's self-imposed deadline. Secretary of State Kerry remains in Switzerland for another day.
  • Pierce stars alongside Charlie Robinson in a new online production of Some Old Black Man. It's "the classic confrontation of father and son," says Pierce.
  • Author Leonard Todd's new book, Carolina Clay, explores the life, art and legacy of a slave potter named Dave. Todd offers a personal perspective on the history of slavery: His great-great grandfather owned Dave.
  • India's Supreme Court says drug maker Novartis can't hold onto its patent for the pricey cancer drug Gleevec simply by tweaking its chemical formula. That means generic drug makers can keep making a form of the drug at a tenth of Novartis's price. Consumer advocates call it a major advance for access to generic drugs. The drug industry says it will chill companies' willingness to produce innovative products.
  • As a communist who spent two terms in jail where her prison guards repeatedly raped her, Majda was delighted to see Saddam Hussein go. But in Iraq's intensely conservative and divided society, she has had difficulty overcoming the stigma and trauma of her past.
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