The enslaved man's name was Renty. His image adorns the cover of a Harvard publication that the university sells for $40.

Tamara Lanier says "Papa Renty" is the patriarch of her family. And in a lawsuit filed Wednesday, she says Harvard is using those photos without permission — and in so doing, profiting from photos taken by a racist professor determined to prove the inferiority of black people.

Six months ago, I found myself preparing for battle.

I was lying in bed at 5:30 a.m., going over in my head how to handle the next encounter with my 3-year-old daughter, Rosy.

Goodness knows, I love her so much. But there's a fire in that little belly. And to be honest, I have no idea how to handle all the anger — the tantrums, the screaming and, most of all, the hitting.

When she's angry and I pick her up, she has a habit of slapping me across the face. Sometimes it really hurts. I've even started ducking like a boxer when I lift her up.

Aimee Rubensteen didn't have the luxury to take her time and get acclimated to her new job.

Immediately after starting last spring as South Florida's acquisitions curator for the United States Holocaust Memorial Museum in Washington, D.C., Rubensteen began meeting weekly with Holocaust survivors and their family members.

"Time is running out," Rubensteen said. "Truly, the clock is ticking. We need to meet eyewitnesses as soon as possible, before they are no longer with us."

From my vantage point — a white kid growing up on the blistering guitars of my '60s guitar heroes like Jimi Hendrix, Jimmy Page and Eric Clapton — Mdou Moctar has made the most insane psychedelic guitar album of the 21st century. From his perspective, growing up in a small village in central Niger, Moctar may not even know what I'm talking about. In fact, in a press statement, he says, "I don't know what rock is exactly. I have no idea.