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The star of the film Grandma and the Netflix series Grace and Frankie married her partner of 42 years, Jane Wagner, in 2013. Tomlin discusses her work and her decision to be open about her sexuality.

When the 4.4-magnitude temblor struck Monday morning, KTLA-TV anchors Chris Schauble and Megan Henderson were live on the air. They did what the experts recommend: "Drop, cover and hold on."

President Francois Hollande says the Rafale fighters "entirely destroyed" a logistics depot. His office said more air operations against Islamic State militants would be conducted in coming days.

The Oregon Senate has confirmed three new members of the state’s Environmental Quality Commission.

A short online post broke the story to viewers and readers that the regional all-news channel Northwest Cable News will air its last broadcast on...

Negative ads work. That’s why political campaigns air them. But these days figuring out who’s funding them can be like unraveling a mystery. And to...

In the attack on Sunday, a dozen Taliban militants were reportedly killed, including the militant group's shadow governor for Kapisa province.

The Forest Service is also warning that air quality is likely to deteriorate as wildfires continue to burn.

Hannah Kummer plays the puzzle with puzzlemaster Will Shortz and NPR's Lulu Garcia-Navarro.

Robert talks to ABC News reporter Robert Krulwich, about his 3-part series airing next week on Nightline, called "Hip Hop." Before beginning his research, Krulwich professed to be no expert on the subject of hip-hip culture, but wanted to understand why it was so compelling to kids, like his son, and millions of other teens and 20-somethings. In the first segment he profiles Russell Simmons, a hip-hop executive and record producer -- a household name to many hip-hop lovers, but previously unknown to Krulwich. Krulwich comes to understand that hip-hop is music, clothing, image, attitude -- a collage of ghetto and street, and the aspirations and signs of wealth and success. And he also discovers that the business of hip-hop is unlike any model he'd seen before, where music and fashion executives hold no distinctions between race, gender, or sex. He found it refreshing.