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Sandy Brown Jensen reviews Adam Gerlach’s "Traces of Light" at Don Dexter Gallery, where ancient trees are painted with flashlights in the midnight dark.

It’s been a while since A Midsummer Night’s Dream was last performed at the Oregon Shakespeare Festival. For many Festival-goers this early comedy by Shakespeare is their favorite. It’s a flexible play that can be given many interpretations.

Unwanted, unused items around your home could likely be more useful for someone else. On Living Less Unsustainably, John Fischer will make sure your stuff gets into the hands that need them.

In this forum, Library Director Angela Ocaña will describe the latest programs EPL offers the community, and Dana Fleming from the Eugene Public Library Foundation will discuss the state of the library and what its future will bring.

A Raisin in the Sun is the gem of the spring season at the Oregon Shakespeare Festival. Insightfully directed by Tim Bond, the Festival’s Artistic Director, this brilliant masterpiece by Lorraine Hansberry was the first play by a Black American woman to be performed on Broadway. The New York Drama Critics’ Circle named it the best play of 1959.

The session will conclude with audience Q&A focused on access, funding, and the role of arts education in building a healthier Eugene.

You Are Cordially Invited to the End of the World!, now playing at the Oregon Shakespeare Festival’s Thomas Theatre, is a new comedy by Keiko Green about a nice man named Greg who learns that he will soon die of pancreatic cancer.

The tendrils that beans, grapes, and even some less desirable plants - like bindweed - send up as they strive to reach new heights really seem to validate the idea that plants are creatures with purpose, and consciousness.

On this City Club of Eugene, panelists discuss the growing impact of cybersecurity threats on Oregon communities.

Sandy Brown Jensen reviews Bets Cole's stunning solo exhibition "The Living Landscape" at Eugene's Karin Clarke Gallery, on view through July 11th.