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Critic David Edelstein says the story behind the The Other Side Of The Wind — how Welles made it and what happened to it after his death in 1985 — is more fun than the completed film itself.

The first female-led superhero movie from Marvel Studios is a pleasant, sometimes bland, feature-length introduction to a character who feels more sketched-in than fully realized.

The country star's latest album proves Morris isn't long for the country genre — she's a pop singer with an affinity for rhythm & blues, and she's not holding back.

Paul Thomas Anderson's new movie stars Daniel Day-Lewis as a British women's fashion designer in the 1950s. Critic David Edelstein says the film is an amusing portrait of artistic and marital anguish.

In 2015, three Americans on a Paris-bound train stopped a terrorist attack in progress. Eastwood recreates the incident — and audaciously casts the real-life heroes as themselves — in his new film.

Fresh Air's book critic says her 2017 list is chaotic in a good way. "These books zing off in all directions: They're fresh, unruly and dismissive of the canned and contrived."

The Atlanta-based musician blends contrasting pop genres on his second album. Rock critic Ken Tucker says Face Your Fear reveals Harding's deep knowledge of R&B.

Ruben Östlund's latest film is a satire set at a contemporary art museum in Stockholm. Reviewer Justin Chang says The Square invites viewers to laugh, empathize and recoil — sometimes all at once.

In 2013, three young women who had vanished years earlier escaped from a house where they had been held captive. Amanda Berry and Gina DeJesus, along with writer Mary Jordan, discuss their new memoir.

The self-deprecating host of Comedy Central's The Nightly Show says it took a few months to get comfortable in his new role. "People are holding your feet to the fire immediately," he says.