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Federal prosecutors in Brooklyn, N.Y., have added another charge against the R&B singer: that in 1994, he paid an Illinois official to make a fake ID that claimed that Aaliyah was 18 years old.

Minhal Baig's new film about a Pakistani American teen captures what it's like to feel paralyzed, with one foot in adulthood and the other in childhood.

Margaret Atwood's The Testaments opens about 15 years after the end of The Handmaid's Tale. Critic Maureen Corrigan says the follow-up gives her what she wants most: the promise of an end to Gilead.

Burns is known for finding fresh takes on big topics, but his new eight-part PBS series about country music treads a well-worn path, leaning heavily on the biggest stars and the most obvious ideas.

Calling it "the most inspiring thing" he's ever seen, SpaceX's CEO talked up his company's big innovation and plans to fast-track production of the spacecraft. He hopes to fly passengers by next year.

Critic Justin Chang says the immaculate staging of Alfonso Cuarón's new film is both an asset and a liability: "There's something curiously showy about the unshowiness of Roma."

Moonlight director Barry Jenkins returns with a new drama about young lovers in 1970s Harlem whose lives are thrown into turmoil when one of them is falsely accused of a crime.

Caroll Spinney, 84, has performed the roles since the show's very first episode. "I will always be Big Bird," he said. "And even Oscar, once in a while!"

Insecure's season finale airs Sunday, and this season, Natasha Rothwell is a breakout star. She hopes the show is provoking future creators, especially people of color, to share their stories.

While Democrats won control of the House, and Republicans expanded their majority in the Senate, a number of races remain too close to call.