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One muggy Thursday, 50,000 rowdy rock fans packed Chicago's Comiskey Park to see disc jockey Steve Dahl blow up a crate of disco records. That evening's stunt helped birth a new musical movement.

Filmmaker Alex Gibney's new documentary focuses on the large-scale implications of computer malware. Critic John Powers calls Zero Days an important — and chilling — film.

Jet lag and shift work impose painful changes on the body's circadian rhythms. Adjusting oxygen consumption might help, researchers say. But don't hold your breath; it's only been tested in mice.

Though he's known for making quasi-horror films, director Park Chan-wook's latest movie is a melodrama set in 1930s Korea. Critic David Edelstein says The Handmaiden is fun and full of twists.

Even well-worn notes can sound freshly resonant in the right hands. A new film about Franklin's early years doesn't entirely avoid biopic conventions, but there's real intelligence and feeling in it.

Many of this year's mystery and suspense novels explore literary appropriation — characters in positions of privilege laying their sticky mitts on stories that don't belong to them.

You don't have to be Catholic to connect with Claire Luchette's vivid story of a lonely young woman yearning for community — and also for everything she gave up to be part of that community.

Hong Sang-soo's new film follows a mild-mannered woman as she makes three different visits. Each chapter is absorbing on its own, but it's even more intriguing to contemplate how it all fits together.

Four decades after his death, Evans remains part of the jazz conversation. A new anthology surveys records the jazz pianists made as leader, from 1956 until his death in 1980.

Adam Driver and Marion Cotillard play a celebrity couple in this extravagant movie musical. Critic Justin Chang warns you'll have to get on the film's bizarre wavelength, but he's grateful it exists.