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Artificial intelligence becomes hard to ignore when it starts taking over tasks that used to require human judgment — such as winnowing job applications or prioritizing stories in a news feed.

Waller-Bridge writes female characters who are flawed and unpredictable. Her Fleabag character struggles to maintain a facade of confidence, while her characters on Killing Eve hide other secrets.

While the fight over the report will continue, its release is the culmination of investigations that go back nearly three years. (This piece initially aired April 14, 2019 on All Things Considered.)

Latino joblessness has dipped to historic lows. But many economists are taking those numbers with caution: There's still a gaping wage difference with white workers.

McCarthy likes to take on "three-dimensional, flawed" characters. Otherwise, she says, "there's nothing to sink your teeth into." She stars as a caustic literary forger in Can You Ever Forgive Me?

Hill always wanted to be a writer and director, but an unexpected compliment in an acting class shifted him toward performing instead. Now he's written and directed his first movie, Mid90s.

The SNL head writers have different attitudes toward co-hosting the Emmy awards Monday night. Jost admits to being nervous, but Che says, "It's comedy! ... There's nothing to be afraid of."

Government and nonprofit agencies work in advance of storms to create distribution networks for critical aid, but the Category 4 storm damaged key communications and transportation infrastructure.

Susan Lacy's terrific HBO documentary examines Fonda's juicy, controversial life in five parts. The first four are named for a man under whose influence Fonda lived; in the fifth, she stands alone.

Two professors invited indigenous artisans to make masks portraying the agent of the pandemic — the coronavirus — through the lens of their cultural traditions.