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Two masked robbers clean out small branches of a Texas bank in David Mackenzie's new neo-Western. Critic David Edelstein calls Hell or High Water a work of "broad scale and deep feeling."

As their parents engage in a bitter real-estate dispute, the friendship between two adolescent boys deepens in Ira Sach's new film. Critic David Edelstein calls Little Men "quietly devastating."

Actor Matt Damon and director Paul Greengrass pair up again for another chapter in the series about a rogue CIA assassin. Critic David Edelstein says Jason Bourne is very flashy — but not much fun.

Pesticides called "neonics" are popular among farmers, but also have been blamed for killing bees. In Canada, the province of Ontario is trying to crack down on neonics, with mixed results.

The New Zealand band began releasing records on the Flying Nun label in the 1980s. Four decades later, they are still at it. Rock historian Ed Ward tells story of The Chills.

Novelist Mat Johnson's mother spent decades trying to escape her MS diagnosis. Johnson looks back on her journey — and what it meant when the disease finally caught up with her.

In Rebecca Miller's comedy, an affair leads to divorce and remarriage — until the new wife decides she wants out. Critic David Edelstein says that Maggie's Plan doesn't quite come together.

At a taping of the show this week, during a visit by Vice President Joe Biden, Late Show writers and producers explain how they managed to turn the program around after a rough start.

Before she stopped drinking, Sarah Hepola relied on alcohol to get her through the holiday season. "What nobody mentions about all the holiday spirit is how much booze it requires," she says.

Musician Laurel Sprengelmeyer — aka Little Scream — refers to prayer, devotion, heaven and Satan on her new album. Critic Ken Tucker calls Cult Following a "testament to desire and endurance."