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As President Trump approaches his 100th day in office, White House correspondent Maggie Haberman of The New York Times says "the magnitude of the job is sinking in for him."

Musgraves' new holiday record features old classics and new novelty songs. Critic Ken Tucker calls it "the rare Christmas album that can be listened to closely ... with both pleasure and admiration."

Todd Phillips' new comedy, which is loosely based on a true story, follows two 20-somethings from Miami who become international arms dealers. Critic John Powers calls War Dogs "jauntily enjoyable."

The new president's high-profile approach to fighting terror contrasts from the quieter strategy of his predecessor. Trump's style seeks bigger gains but could also mean taking bigger risks.

China tries to discredit the press and to convince citizens not to believe their own eyes. Trump's White House seems to favor similar tactics, writes Frank Langfitt, NPR's former China correspondent.

Major characters go down in showers of blood and gore in the latest stand-alone Wolverine film. Critic David Edelstein says that Logan is an "incredibly bleak ... crackerjack piece of work."

Welles moved Shakespeare's mostly peripheral character to the center of this 1965 film. Critic Lloyd Schwartz says the performance "may be the most profound moment of Welles' entire film career."

Could a virus go around the world in a week? How scary are man-made viruses? Does WHO have a clandestine army? We consider questions raised by the movie.

The new movie, which tells the story of Nat Turner's 1831 slave revolt, is a righteous-vigilante tale — and an answer to D.W. Griffith's 1915 film of the same name.

In 2013, a documentary team followed former Congressman Anthony Weiner in his bid to become mayor of New York. When a scandal hit, the cameras kept rolling. Film critic David Edelstein reviews Weiner.