Cyrena Touros

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No one reimagines baroque pop in the 21st century better than Perfume Genius.

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If the forces of the universe wreak havoc in threes, then Aldous Harding follows tradition with her co-directed visual treatment for "Zoo Eyes," the third off-kilter video from her lat

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As if someone with their foot on the gas of the collective madness meter heard "Punch it!," we've slammed full-speed ahead into political uncertainty as we enter the last stretch of th

This year's Tiny Desk Contest judges are excited to finally be getting ready to pick the 2019 winner. In the meantime, there's a lot going on in the Tiny Desk Contest community.

It's not enough to make list after list. The Turning the Tables project seeks to suggest alternatives to the traditional popular music canon, and to do more than that, too: to stimulate conversation about how hierarchies emerge and endure. This year, Turning the Tables considers how women and non-binary artists are shaping music in our moment, from the pop mainstream to the sinecures of jazz and contemporary classical music. Our list of the 200 Greatest Songs By Women+ offers a soundtrack to a new century. This series of essays takes on another task.

The British singer-songwriter and 2018 Slingshot artist was a critical and fan favorite last month at SXSW, and she seems to be riding that success all the way to one of late night television's biggest stages, The Tonight Show.

A whole generation of musicians born in the 1980s have released formative albums in the last few years that mine the production landscape of their birth decade. Thunderous synths, trash-can lid percussion, and the volcanic, Phil Collins-style drum fills are back en vogue. Truly, the percussive emphasis of a well-timed shimmy of castanets is the tragically forgotten chef's kiss of '80s pop production.

On Laura Jean Anderson's debut single, she expertly checks most of these boxes and adds a diva-sized belt to the mix.

Skating Polly's music has skittered back and forth along the genre spectrum between alt-rock and what it calls "ugly pop." The band's lead single for The Make It All Show, "Queen for a Day," skews towards rock as it drips with punk sensibilities: from Kelli Mayo's snarling vocal performance to the simple and stripped down verses leading into the thrashing of guitars on the chorus.