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  • On this episode of KLCC's Oregon Rainmakers we speak with Irene Alltucker, VP of Real Estate for Obie Companies. While there are many differences between running one of the communities’ premier nonprofit organizations – The Relief Nursery – and running the real estate operation for one of the community’s premier developers - Obie Companies – for Irene Alltucker, the similarities come down to people.
  • Mary O’Brien, founder of Beyond Toxics, and Lisa Arkin, the Executive Director, reminisce about their work in the anti-toxics movement and particularly…
  • What does it take to cram most of a modern homes amenities into 400 square feet? We hear from Malia Schultheis and Jen Carroll.
  • Robin Ticciati's boyish looks belie a seasoned approach to Berlioz's Symphonie Fantastique.
  • Early American composers could have shaken off their European sound and mined the rich trove of African American music. They didn't. And one historian believes we're worse off because of it.
  • William Russo, who composed and arranged music for Stan Kenton, also wrote works performed by the Chicago Symphony Orchestra and the New York Philharmonic. He died recently at 74. Tony Sarabia of Chicago Public Radio offers an appreciation.
  • Ufo
    Marin Alsop, conductor of the Colorado Symphony, gives a behind-the-scenes look at a percussion concerto called UFO, by American composer Michael Daugherty. The piece was written for the soloist Evelyn Glennie, who talks with Alsop about some of the unorthodox instruments that make up a percussionist's arsenal.
  • Performance Today features music from the Atlanta Symphony Orchestra, the glee clubs of Morehouse and Spelman colleges and others, as well as sections of famous speeches by Dr. Martin Luther King, Jr. It's a King Day celebration.
  • The Iraqi National Orchestra performs with the National Symphony at the Kennedy Center in Washington, D.C., Tuesday. The visit is financed by the U.S. Department of State, and President George Bush is expected to attend. NPR's Lynn Neary reports.
  • The principal conductor of the Bournemouth Symphony Orchestra in Great Britain talks about the challenges of working with orchestras when there is a language barrier. Most leading conductors spend their off season working as guest conductors with orchestras all over the world.
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