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Horizon and Gaze: The 20th Annual Emerald Spring Exhibition

Great Horned Owl
Brendan McCullough, "Lorax," Acrylic

Imagine walking into a room that feels like it’s breathing. At the Emerald Art Center, the 20th Annual Emerald Spring Exhibition offers exactly that. Out of over three hundred national entries, juror Leslie Tejada has curated a space that feels surprisingly light, defined by vast horizons and big, quiet skies.

painting of a cloudscape over the ocean
Heather Jacks, "Sanctuary," Oil on linen

In the piece Sanctuary by Heather Jacks, the Pacific Northwest cloudscape isn't just painted; it’s captured in a moment of pure emotional release. You can almost feel the damp air moving through the charcoal shadows and pearlescent light.

spiral staircase leading up to an architectural eye
Allison McClay, "Spiral," Acrylic

As you move deeper into the gallery, the landscapes give way to a piercing confrontation. In Brendan McCullough’s Lorax, you are met by the unblinking, liquid-amber eye of a Great Horned Owl—a gaze so singular and silent it demands a halt. But turn your head to the right, and you’ll find that circular intensity echoed in Allison McClay’s Spiral. Here, the eye is architectural—a winding staircase that pulls your vision upward into a swirl of lavender brick and solitude.

still life of fruit in a bowl
Arena Shaw, "Last of the Season," Oil on linen

The show is a conversation between extremes. You can practically smell the dust and honey in the "Old Master" richness of Arena Shawn’s still life, where plums and grapes glow with a 19th-century intimacy. Then, pivot to the high-energy, sun-drenched abstraction of Aimee Hertog’s Yellow Floral, a riotous tangle of Forsythia-bright pigments.

yellow abstract floral
Aimee Hertog,"Yellow Floral," Mixed Media

The exhibition runs through May 29th at the center’s downtown Springfield gallery. There is a festive Art Walk reception on Friday, May 8th, from 5:00 to 7:30 PM.

Amy Albrecht, "Metatasized," Acrylic on Canvas
Amy Albrecht, "Metatasized," Acrylic on Canvas

Amy Albrecht of Eugene, Oregon, says this about this acrylic painting, "This painting is the first in a series of artworks exploring the loss of my mother(s), a desire to be mothered, the experience of self-parenting, and healing. The composition blends a photograph taken in the mid-80s with a childhood memory of my mother setting the kitchen on fire, along with a dreamscape of the few moments I have “seen” her over the years. The image encompasses physical spaces found in objects like photographs, journals, and books I inherited after her passing, but also places like memories and dreams that are real, but not tangible."

Sandy Brown Jensen has an MFA in Poetry and is a retired writing instructor from Lane Community College. She is an artist and a photographer with a lifetime interest in looking at and talking about art. Sandy hosts KLCC's long-running arts review program Viz City.