Sandy Brown Jensen reviews regional exhibitions highlighting Oregon waterways at the newly reopened River Run Gallery in Leaburg and the William L. Finley Wildlife Refuge show at the Monroe Arts Association Gallery.

Sandy Brown Jensen reviews works by Ron Conrad, Robin Kerr, and Rachel Kalman in two new exhibitions on view at the Maude Kerns Art Center through August 28th.

Sandy Brown Jensen reviews Nancy Helmsworth's "kulla kulla Creek: Resilient and Manhandled" at Eugene's Don Dexter Gallery, exploring nature, history, and social practice art.

Sandy Brown Jensen reviews the versatile, striking works of Jan Linz, Michael Whitenack, and Analee Fuentes at the Maude Kerns Art Center's regional collage exhibit.

Sandy Brown Jensen shares a deeply personal Viz City review, exploring the emotional journey of salvaging her late sister's lifelong collection of vibrant watercolor art.

Sandy Brown Jensen reviews Bets Cole's stunning solo exhibition "The Living Landscape" at Eugene's Karin Clarke Gallery, on view through July 11th.

Sandy Brown Jensen reviews Adam Gerlach’s "Traces of Light" at Don Dexter Gallery, where ancient trees are painted with flashlights in the midnight dark.

Sandy Brown Jensen reviews Hilary Pfeifer’s "Forever in Blue Jeans" at Maude Kerns Art Center, where industrial metal quills become watchful, symbolic nests.

Sandy Brown Jensen explores the vast horizons and piercing "circular gazes" of the 20th Annual Emerald Spring Exhibition, now showing at the Emerald Art Center.

Sandy Brown Jensen reviews Josh Voynick’s sculptures at Don Dexter Gallery, where discarded shovels and scrap steel are forged into narratives of healing and nature.