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Take two plays, one an ancient farce and the other a modern tale of lost love. Accidentally schedule them for a dress rehearsal on the same stage at the…
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“Antony and Cleopatra,” now playing at the Oregon Shakespeare Festival, is one of Shakespeare’s most confounding plays. Directors have a hard time…
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“Long Day’s Journey into Night,” Eugene O’Neill’s gut-wrenching family drama, is playing in a superlative production at the Oregon Shakespeare Festival’s…
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Among the Oregon Shakespeare Festival’s summer openings, the funniest by far is the world premiere of the musical, “Head Over Heels,” at the Allen…
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Christopher Acebo, Associate Artistic Director of the Oregon Shakespeare Festival, will give a talk called “Guiding Space: An Exploration of Set Design in…
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REVIEW OF “MUCH ADO ABOUT NOTHING”by Dorothy VelascoMarch 31, 2015There is much to enjoy in the production of “Much Ado About Nothing,” now playing at the…
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REVIEW OF “FINGERSMITH”by Dorothy VelascoMarch 24, 2015“Fingersmith,” the acclaimed Victorian crime novel by Sarah Waters, has been described as “Oliver…
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REVIEW OF “GUYS AND DOLLS”by Dorothy VelascoMarch 17, 2015I’ve got a tip for all you fun-loving guys and dolls. Put your money on the musical, “Guys and…
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REVIEW OF “PERICLES”by Dorothy VelascoMarch 10, 2015The Oregon Shakespeare Festival’s spring season, in its 80th year, offers a lavish theatrical bounty.…
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REVIEW OF “THE GREAT SOCIETY”by Dorothy Velascofor broadcast on KLCC, Aug. 12, 2014The presidency of Lyndon Baines Johnson is a topic Shakespeare would…