The Shortcut - Events in Oregon

Navigating Through Centuries surveys the complex trajectory of art in Korea, which was significantly impacted by socio-political upheaval and cultural developments from the fifth century to the present. The exhibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE), to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian governance of the Joseon (1392–1910) dynasties, through vestiges of tradition after the Korean War (1950–1953), experimental practices during the modern era, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies, ideologies, critical events, and issues of a specific historical period.

The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals, laying the foundation for Korean cultural memory. The Goryeo dynasty section highlights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture, while also indicating Korea’s participation in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order, governance, and cultural life of the period.

The modern and contemporary sections focus on twentieth-century art, which has continually questioned, responded to, and been shaped by the last tumultuous century of Korean history. The first postwar section features art that portrays the remnants of indigenous culture in the aftermath of the Korean War. The next section presents experimental works by artists who challenged the canon of art by blurring boundaries of cultures, genres, and mediums. The final section showcases global contemporary art by diasporic creators, many of whom have played central roles in integrating Korean art into the international mainstream.

Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture, individuals and communities, and socio-politics and history, inviting audiences to consider the broad history of Korea through the lens of art. The exhibition was curated by Soojin Jeong, 2023–2026 Post-Graduate Curatorial Fellow in East Asian Art, as well as Heejung Chang, 2025–2026 JSMA/Korea Foundation Global Challengers Museum Intern.

Gemini Thesaurus, Photographs by Michael T. Williams.
Showing from May 9 through June 30, 2026
There will be an artist reception on Saturday, May 9 from 1:00 to 4:00 pm.

The O'Brien Photo Gallery
2833 Willamette, Ste. B, Eugene, Oregon 97405
Phone: (541) 729-3572
Open Tuesday through Friday from 9 - 5 pm. Call to be sure we're open.
Email: picmac1945@gmail.com
Website: https://www.waltobrien.net/the-o-brien-photo-gallery.

A free Artist Talk is held in conjunction with “Forever in Blue Jeans” on Saturday, May 9, from 1–2 pm. Pfeifer offers practical working artist advice while telling humorous and insightful tales of her journey to becoming an artist sought after for exhibitions and public art commissions. She gives homage to her mentors along the way.

Pfeifer is an enormously talented multi-faceted artist whose work spans sculpture, collage, installation, and public art. Her work has been exhibited in group and solo shows in galleries and museums throughout the US, most recently in the “Birds in Art” exhibit at the Leigh Yawkey Woodson Art Museum in Wausau, Wisconsin in 2025. Her public art commissions grace many sites in Portland and beyond, including in Eugene in the lobby of Huestis Hall at the University of Oregon. Here an installation of laser-cut panels and suspended sculptures called “Confluence” celebrates the site’s revolutionary zebrafish research lab. Pfeifer is the recipient of many grants and awards, including a grant from the Puffin Foundation which supports in part her godseye series on view in the Art Center’s retrospective. Pfeifer’s art has been featured in American Craft magazine and was recently profiled on Oregon Art Beat.

Navigating Through Centuries surveys the complex trajectory of art in Korea, which was significantly impacted by socio-political upheaval and cultural developments from the fifth century to the present. The exhibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE), to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian governance of the Joseon (1392–1910) dynasties, through vestiges of tradition after the Korean War (1950–1953), experimental practices during the modern era, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies, ideologies, critical events, and issues of a specific historical period.

The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals, laying the foundation for Korean cultural memory. The Goryeo dynasty section highlights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture, while also indicating Korea’s participation in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order, governance, and cultural life of the period.

The modern and contemporary sections focus on twentieth-century art, which has continually questioned, responded to, and been shaped by the last tumultuous century of Korean history. The first postwar section features art that portrays the remnants of indigenous culture in the aftermath of the Korean War. The next section presents experimental works by artists who challenged the canon of art by blurring boundaries of cultures, genres, and mediums. The final section showcases global contemporary art by diasporic creators, many of whom have played central roles in integrating Korean art into the international mainstream.

Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture, individuals and communities, and socio-politics and history, inviting audiences to consider the broad history of Korea through the lens of art. The exhibition was curated by Soojin Jeong, 2023–2026 Post-Graduate Curatorial Fellow in East Asian Art, as well as Heejung Chang, 2025–2026 JSMA/Korea Foundation Global Challengers Museum Intern.

Navigating Through Centuries surveys the complex trajectory of art in Korea, which was significantly impacted by socio-political upheaval and cultural developments from the fifth century to the present. The exhibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE), to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian governance of the Joseon (1392–1910) dynasties, through vestiges of tradition after the Korean War (1950–1953), experimental practices during the modern era, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies, ideologies, critical events, and issues of a specific historical period.

The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals, laying the foundation for Korean cultural memory. The Goryeo dynasty section highlights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture, while also indicating Korea’s participation in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order, governance, and cultural life of the period.

The modern and contemporary sections focus on twentieth-century art, which has continually questioned, responded to, and been shaped by the last tumultuous century of Korean history. The first postwar section features art that portrays the remnants of indigenous culture in the aftermath of the Korean War. The next section presents experimental works by artists who challenged the canon of art by blurring boundaries of cultures, genres, and mediums. The final section showcases global contemporary art by diasporic creators, many of whom have played central roles in integrating Korean art into the international mainstream.

Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture, individuals and communities, and socio-politics and history, inviting audiences to consider the broad history of Korea through the lens of art. The exhibition was curated by Soojin Jeong, 2023–2026 Post-Graduate Curatorial Fellow in East Asian Art, as well as Heejung Chang, 2025–2026 JSMA/Korea Foundation Global Challengers Museum Intern.

Navigating Through Centuries surveys the complex trajectory of art in Korea, which was significantly impacted by socio-political upheaval and cultural developments from the fifth century to the present. The exhibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE), to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian governance of the Joseon (1392–1910) dynasties, through vestiges of tradition after the Korean War (1950–1953), experimental practices during the modern era, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies, ideologies, critical events, and issues of a specific historical period.

The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals, laying the foundation for Korean cultural memory. The Goryeo dynasty section highlights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture, while also indicating Korea’s participation in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order, governance, and cultural life of the period.

The modern and contemporary sections focus on twentieth-century art, which has continually questioned, responded to, and been shaped by the last tumultuous century of Korean history. The first postwar section features art that portrays the remnants of indigenous culture in the aftermath of the Korean War. The next section presents experimental works by artists who challenged the canon of art by blurring boundaries of cultures, genres, and mediums. The final section showcases global contemporary art by diasporic creators, many of whom have played central roles in integrating Korean art into the international mainstream.

Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture, individuals and communities, and socio-politics and history, inviting audiences to consider the broad history of Korea through the lens of art. The exhibition was curated by Soojin Jeong, 2023–2026 Post-Graduate Curatorial Fellow in East Asian Art, as well as Heejung Chang, 2025–2026 JSMA/Korea Foundation Global Challengers Museum Intern.

Navigating Through Centuries surveys the complex trajectory of art in Korea, which was significantly impacted by socio-political upheaval and cultural developments from the fifth century to the present. The exhibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE), to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian governance of the Joseon (1392–1910) dynasties, through vestiges of tradition after the Korean War (1950–1953), experimental practices during the modern era, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies, ideologies, critical events, and issues of a specific historical period.

The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals, laying the foundation for Korean cultural memory. The Goryeo dynasty section highlights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture, while also indicating Korea’s participation in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order, governance, and cultural life of the period.

The modern and contemporary sections focus on twentieth-century art, which has continually questioned, responded to, and been shaped by the last tumultuous century of Korean history. The first postwar section features art that portrays the remnants of indigenous culture in the aftermath of the Korean War. The next section presents experimental works by artists who challenged the canon of art by blurring boundaries of cultures, genres, and mediums. The final section showcases global contemporary art by diasporic creators, many of whom have played central roles in integrating Korean art into the international mainstream.

Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture, individuals and communities, and socio-politics and history, inviting audiences to consider the broad history of Korea through the lens of art. The exhibition was curated by Soojin Jeong, 2023–2026 Post-Graduate Curatorial Fellow in East Asian Art, as well as Heejung Chang, 2025–2026 JSMA/Korea Foundation Global Challengers Museum Intern.

EUGENE, OR—Turning Tides Music presents Glen Phillips, the iconic leader of Toad the Wet Sprocket, performing on Wednesday, May 13 at 7:30pm at Unity of the Valley with tickets benefitting Lane Arts Council. Tickets start at $35 and are available at turningtidesmusic.org.

Glen Phillips of Toad the Wet Sprocket with Niki Leeman, a benefit for Lane Arts Council
Unity of the Valley, 3912 Dillard, Eugene, OR 97405
7:30 pm | Tickets start at $35  
www.turningtidesmusic.org

About Glen Phillips

During his almost 40 years as lead singer and main songwriter of Toad the Wet Sprocket, Glen Phillips has helped create the band’s elegant folk/pop sound with honest, introspective lyrics that forged a close bond with fans. Alongside his work with Toad, Glen has released acclaimed solo albums and collaborated on projects ranging from Mutual Admiration Society (with members of Nickel Creek) to the experimental Remote Tree Children. Coming off a very full year of music, Glen played packed solo shows across the US, toured the Rockies with John Craigie, and hit the road with Toad the Wet Sprocket for a massive summer tour. This fall, he heads overseas to tour the UK with Colin Hay, and in October he hosts his first-ever European river cruise on the Danube, traveling from Budapest to Nuremberg.

About Lane Arts Council

Lane Arts Council cultivates belonging, learning and investment to engage all of Lane County in the transformative power of the arts. Founded in 1976 as the centralized arts agency serving the Lane County region, Lane Arts Council is a multi-faceted nonprofit arts organization providing arts education, arts advocacy, artist support, and community arts programs and services.

About Turning Tides Music

Turning Tides is an all-volunteer, 501(c)(3) non-profit organization promoting world-class acoustic music and weekly ecstatic dance. Community building, inclusivity, and multi-culturalism are among their core values.

Navigating Through Centuries surveys the complex trajectory of art in Korea, which was significantly impacted by socio-political upheaval and cultural developments from the fifth century to the present. The exhibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE), to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian governance of the Joseon (1392–1910) dynasties, through vestiges of tradition after the Korean War (1950–1953), experimental practices during the modern era, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies, ideologies, critical events, and issues of a specific historical period.

The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals, laying the foundation for Korean cultural memory. The Goryeo dynasty section highlights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture, while also indicating Korea’s participation in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order, governance, and cultural life of the period.

The modern and contemporary sections focus on twentieth-century art, which has continually questioned, responded to, and been shaped by the last tumultuous century of Korean history. The first postwar section features art that portrays the remnants of indigenous culture in the aftermath of the Korean War. The next section presents experimental works by artists who challenged the canon of art by blurring boundaries of cultures, genres, and mediums. The final section showcases global contemporary art by diasporic creators, many of whom have played central roles in integrating Korean art into the international mainstream.

Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture, individuals and communities, and socio-politics and history, inviting audiences to consider the broad history of Korea through the lens of art. The exhibition was curated by Soojin Jeong, 2023–2026 Post-Graduate Curatorial Fellow in East Asian Art, as well as Heejung Chang, 2025–2026 JSMA/Korea Foundation Global Challengers Museum Intern.

University of Oregon 2025-26 Visiting Artist Lecture Series
Presented by the Department of Art and Center for Art Research

This presentation introduces the artist's studio practice, which is situated at the intersection of weaving and animation. Nartker creates woven textiles on a jacquard loom and translates these fabrics into time-based works, approaching the loom as a camera and editing tool. By working with sequential woven images and material processes, the artist's work explores how textiles can generate motion and shape the moving image. Nartker will discuss recent projects that move between handwoven cloth and animation, as well as the technical and conceptual questions that arise when textiles are used as a time-based medium. The talk will also touch on the overlapping histories of weaving and cinema, and how textile processes offer alternative ways of thinking about moving images, narrative, and authorship.

Kate Nartker works between animation and weaving to dismantle images, narratives, and material structures. She received an MFA from the California College of the Arts and is an Assistant Professor of Textile Design at the Wilson College of Textiles at NC State University. Her work has been included in exhibitions and screenings throughout the United States and internationally, including The Museum of Craft and Design in San Francisco, The Contemporary Austin, and the Hordaland Art Center in Bergen, Norway.